Jowhara Al Saud
Jowhara Al Saud
Aces, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0278
Jowhara Al Saud
All Smiles, 2009
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0292
Jowhara Al Saud
Bed, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0121
Jowhara Al Saud
Birds, 2010
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0433
Jowhara Al Saud
Connected, 2009
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0306
Jowhara Al Saud
Cup, 2010
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0457
Jowhara Al Saud
Cocotte, 2010
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0447
Jowhara Al Saud
Clowns & Jokers, 2009
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0302
Jowhara Al Saud
Dancing, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0134
Jowhara Al Saud
Dot, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0143
Jowhara Al Saud
Echoes & Rhymes, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
Edition of 8 + 3 AP
JAS0319
Jowhara Al Saud
Fan, 2010
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0468
Jowhara Al Saud
Golden, 2009
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0332
Jowhara Al Saud
He Said, She Said, 2010
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0476
Jowhara Al Saud
Heart & Soul, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0156
Jowhara Al Saud
Island Blues, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
Edition of 8 + 3 AP
JAS0340
Jowhara Al Saud
Jump, 2010
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out Of Line Series Edition of 3 + 2 AP
JAS0496
Jowhara Al Saud
Heroes, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0167
Jowhara Al Saud
Hug, 2010
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0494
Jowhara Al Saud
Little Big Things, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out Of Line Series Edition Size: 8 + 3 AP
JAS0352
Jowhara Al Saud
Lucky Stars, 2008
C-41 Print mounted on dibond
76 x 102 cm (29 7/8 x 40 1/8 in.)
From Out Of Line Series Edition of 8 + 3 AP
JAS0526
Jowhara Al Saud
The Harrowing Adventures of, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition Size: 8 + 3 AP
JAS0413
Jowhara Al Saud
Picnic, 2009
C-41 Print mounted on dibond
157 x 127 cm (61 3/4 x 50 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0369
Jowhara Al Saud
No Cigar, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out Of Line Series Edition of 8 + 3 AP
JAS0210
Jowhara Al Saud
New Year, 2010
C Print
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0422
Jowhara Al Saud
Meem, 2009
C-41 Print mounted on dibond
73 x 100 cm (28 3/4 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0362
Jowhara Al Saud
Summer Wind, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition Size: 8 + 3 AP
JAS0385
Jowhara Al Saud
Turn, 2010
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition Size: 8 + 3 AP
JAS0511
Jowhara Al Saud
Stripes, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out Of Line Series Edition Size: 8 + 3 AP
JAS0234
Jowhara Al Saud
Silver & Gold, 2009
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out of Line Series Edition of 8 + 3 AP
JAS0374
Jowhara Al Saud
Vintage, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out Of Line Series Edition Size: 8 + 3 AP
JAS0256
Jowhara Al Saud
Sway, 2009
C-41 Print mounted on dibond
127 x 152 cm (50 x 59 7/8 in.)
From Out of Line Series Edition of 3 + 2 AP
JAS0401
Jowhara Al Saud
Windy, 2008
C-41 Print mounted on dibond
76 x 100 cm (29 7/8 x 39 3/8 in.)
From Out Of Line Series Edition of 8 + 3 AP
JAS0267
Jowhara Al Saud
Untitled 1, 2011
C-41 Print mounted on dibond
41 x 51 cm (7 7/8 x 9 7/8 in.)
Edition of 3, From Knots series
JAS0520
Jowhara Al Saud
Untitled 2, 2011
C-41 Print mounted on dibond
41 x 51 cm (7 7/8 x 9 7/8 in.)
Edition of 3, From Knots Series
JAS0062
Jowhara Al Saud
Untitled 3, 2011
C-41 Print mounted on dibond
41 x 51 cm (16 1/8 x 20 1/8 in.)
From Knots Series Edition size: 3 + 1 AP
JAS0065
Jowhara Al Saud
Untitled 4, 2011
C Print
20 x 25 cm (7 7/8 x 9 7/8 in.)
From Knots Series Edition of 5 + 2 AP
JAS0073
Jowhara Al Saud
Untitled 5, 2011
C-41 Print mounted on dibond
41 x 51 cm (16 1/8 x 20 1/8 in.)
Edition of 3, From Knots Series
JAS0085
Jowhara Al Saud
Untitled 6, 2011
C Print
20 x 25 cm (7 7/8 x 9 7/8 in.)
From Knots Series Edition of 5 + 2 AP
JAS0096
Jowhara Al Saud
Untitled 7, 2011
C Print
20 x 25 cm (7 7/8 x 9 7/8 in.)
Edition of 3, From Knots Series
JAS0101
Jowhara Al Saud
Untitled 8, 2011
C print diasec mounted on dibond
41 x 51 cm (16 1/8 x 20 1/8 in.)
From Knots Series Edition Size: 3 + 1 AP
JAS0109
Jowhara Al Saud
Untitled 9, 2011
C-41 Print mounted on dibond
20 x 25 cm (7 7/8 x 9 7/8 in.)
From Knots Series Edition of 3 + 1 AP
JAS0112
Jowhara Al Saud
Knots 11, 2013
C-41 Print mounted on dibond
76 x 101 cm (29 7/8 x 39 3/4 in.)
JAS0006
Jowhara Al Saud
Negative #3, 2012
Large format negative on lightbox
26.7 x 21.6 cm (10 1/2 x 8 1/2 in.)
From Knots Series, Edition of 2
JAS0011
Jowhara Al Saud
Negative #4, 2012
Large format negative on lightbox
26.7 x 21.6 cm (10 1/2 x 8 1/2 in.)
From Knots Series, Edition of 2
JAS0013
Jowhara Al Saud
Negative #6, 2012
Large format negative on lightbox
26.7 x 21.6 cm (10 1/2 x 8 1/2 in.)
From Knots Series, Edition of 2
JAS0015
Jowhara Al Saud
Negative #7, 2012
Large format negative on lightbox
26.7 x 21.6 cm (10 1/2 x 8 1/2 in.)
From Knots Series, Edition of 2
JAS0017
Jowhara Al Saud
Negative #8, 2012
Large format negative on lightbox
26.7 x 21.6 cm (10 1/2 x 8 1/2 in.)
From Knots Series, Edition of 2
JAS0019
This body of work began as an exploration of censorship in Saudi Arabia and it's effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples of this would be skirts lengthened and sleeves crudely added with black markers in magazines or blurred out faces on billboards.
This body of work began as an exploration of censorship in Saudi Arabia and it's effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples of this would be skirts lengthened and sleeves crudely added with black markers in magazines or blurred out faces on billboards.
This body of work began as an exploration of censorship in Saudi Arabia and it's effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples of this would be skirts lengthened and sleeves crudely added with black markers in magazines or blurred out faces on billboards.
This body of work began as an exploration of censorship in Saudi Arabia and it's effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples of this would be skirts lengthened and sleeves crudely added with black markers in magazines or blurred out faces on billboards.
This body of work began as an exploration of censorship in Saudi Arabia and it's effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples of this would be skirts lengthened and sleeves crudely added with black markers in magazines or blurred out faces on billboards.
The inspiration for this series of portraits is the traditional Mashrabiya. A tooled wooden screen traditionally used to separate the private and public spaces in Islamic Architecture. The labor intensive process involves etching the surface of large format negatives by hand thereby applying/removing said “screen” directly to the portrait, calling into question both the idea of portraiture and photographic space. The works are an exploration of many things. They revel in the ‘in between’; photography and drawing, public and private space, representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.
The inspiration for this series of portraits is the traditional Mashrabiya. A tooled wooden screen traditionally used to separate the private and public spaces in Islamic Architecture. The labor intensive process involves etching the surface of large format negatives by hand thereby applying/removing said “screen” directly to the portrait, calling into question both the idea of portraiture and photographic space. The works are an exploration of many things. They revel in the ‘in between’; photography and drawing, public and private space, representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.
The inspiration for this series of portraits is the traditional Mashrabiya. A tooled wooden screen traditionally used to separate the private and public spaces in Islamic Architecture. The labor intensive process involves etching the surface of large format negatives by hand thereby applying/removing said “screen” directly to the portrait, calling into question both the idea of portraiture and photographic space. The works are an exploration of many things. They revel in the ‘in between’; photography and drawing, public and private space, representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.
The inspiration for this series of portraits is the traditional Mashrabiya. A tooled wooden screen traditionally used to separate the private and public spaces in Islamic Architecture. The labor intensive process involves etching the surface of large format negatives by hand thereby applying/removing said “screen” directly to the portrait, calling into question both the idea of portraiture and photographic space. The works are an exploration of many things. They revel in the ‘in between’; photography and drawing, public and private space, representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.
The inspiration for this series of portraits is the traditional Mashrabiya. A tooled wooden screen traditionally used to separate the private and public spaces in Islamic Architecture. The labor intensive process involves etching the surface of large format negatives by hand thereby applying/removing said “screen” directly to the portrait, calling into question both the idea of portraiture and photographic space. The works are an exploration of many things. They revel in the ‘in between’; photography and drawing, public and private space, representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.
These works are still, and will most likely remain, incomplete. Inspired by traditional Mashrabiya, tooled wooden screens traditionally separating the private and public spaces in Islamic Architecture, they are about many things. They revel in the ‘in between’; photography and drawing, public and private space, Representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.
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