Christie's, the WHO Foundation and UN75 on Thursday unveiled "The Future is Unwritten", healing arts auction series, to support a global Covid-19 response through the arts.

As part of The Future is Unwritten's initiative to engage the international art world in UN priority areas, and World Health Organisation (WHO) Solidarity Series of Events, the auction series aims to increase awareness around a global path to recovery and raise critical funds to mobilise artists and health professionals in support of communities most vulnerable, at-risk and with the weakest health systems to act effectively in response to the pandemic, says a press release. 

Dr Tedros Adhanom Ghebreyesus, WHO director general, said, "This initiative represents a unique opportunity for the art world to step up to this global challenge and support communities on the front line of the pandemic, ensuring everyone, everywhere has the tools they need to overcome it."

AMSTERDAM: Saudi artist Ahmed Mater’s acclaimed work “Magnetism” will be the first item under the hammer in The Future is Unwritten’s Healing Arts Auction series, beginning next month. The series is a joint project between Christie’s, the WHO Foundation and UN75 which, according to a press release, “aims to increase awareness around a global path to recovery (from the COVID-19 pandemic) and raise critical funds to mobilize artists and health professionals in support of communities most vulnerable, at-risk and with the weakest health systems to act effectively in response to the pandemic.” All proceeds will go to the WHO Foundation and The Future is Unwritten’s Artist Response Fund, which supports artist-led projects “that directly facilitate community healing and healthcare messaging in the aftermath of the pandemic.”

JEDDAH: Athr gallery brought to Jeddah for the first time a unique art exhibition at the Serafi Mega Mall.

The show titled, “Through the spectrum,” displayed the artworks of six international artists including two Saudis, Ahmad Matir and Nasser Al-Salem.

Each artwork treated light in a different way, allowing the visitors to indulge in light through several variables and configurations. These photovoltaic compositions transcended concrete barriers, allowing them to influence the visitors.

The exhibited artworks are extremely technical and require a lot of experience to produce and install. But thanks to the great team of Athr, Pace and Cruz-Diez, we were able to realize it in the highest level of standard,” she added. Saudi artist Nasser Al Salem presented abstract works alluding to Allah as the source of light. The beautiful metaphorical representations in which its letters are stripped down to basic geometric lines are the first iterations derived from an earlier work by the artist. “Working on an exhibition about light, I created an installation using the word Allah. God is light, [He is the first and the last]. The work breaks the notions of illusionary space, and goes beyond nature’s limits. It uses two mirrors, one on each side, to blur the boarders between the physical and visual realms, and create an imaginary, infinite world. 

21,39 is back for its fifth edition under the theme 'Refusing To Be Still' and will show across multiple venues in Jeddah from 7 February to 5 May.

Featuring over 30 Saudi and international artists, this year’s edition of 21,39 takes a fresh look at the growing Saudi contemporary art landscape. Taking place across three venues, the main group exhibition Refusing To Be Still will be held at the Gold Moor Mall, Rubat Al Khunji and an empty PepsiCo factory. A second group exhibition is hosted at ATHR gallery entitled The Clocks Are Striking Thirteen, while a third exhibition will showcase works by Ahmed Mater in Drum Roll, Please at King Abdullah Economic City. A diverse offering of family activities, book launches and trips are also scheduled.

“Mater brings the rigor of his training as a physician—as well as unparalleled access—to gather frank observations of his own time and place,” said exhibition curator Carol Huh, the Freer|Sackler’s curator for contemporary art. “The resulting imagery is straightforward and striking, while his newest research-based project presents another fascinating shift in his use of the photographic medium.”

A new exhibition focusing on Saudi Arabia, the geographic heart of Islam, is due to open this week in Washington, DC. Symbolic Cities: The Work of Ahmed Mater at the Smithsonian Institute’s Arthur M. Sackler Gallery (19 March-18 September) focuses on the Jeddah-based artist’s landscape photography, which documents the rapid transformation of the ultra-conservative Middle Eastern state. 

The exhibition could not be timelier, with immigration, and how Muslims are treated and perceived, dominating the agenda in the US Presidential election campaign. The Republican frontrunner Donald Trump, for example, has called for a “total and complete shutdown of Muslims entering the United States”. 

Mr. Mater is emblematic of an outspoken new generation of Saudis who are making a name for themselves, and Saudi Arabia, in the world of contemporary art. Like Mr. Mater, some of these artists are using their work as a tool of critique, testing the limits of what is permissible in the ultraconservative kingdom.

“Art has a big role to play for change,” Mr. Mater said in an interview in his studio in the Red Sea city of Jeddah. “We are needed to push these red lines, the restrictions. It’s more interesting here than where there is freedom of expression.”

Athr Gallery (Special Projects)
Ahmed Mater
Cowboy Code (Hadith), 2012
Pier 94: Focus Lounge
Plastic Gun Caps