يستضيف غاليري "أثر" في مدينة جدة حتى 10 من يناير (كانون الثاني) المقبل، معرضين فرديين لكل من عبدالعزيز الرشيدي وناصر السالم، وهما اثنان من فناني الخط العربي البارزين في السعودية. يتشارك كل من الرشيدي والسالم في سعيهما نحو استكشاف آفاق جديدة لفن الخط، والتعامل مع الحرف كمفردة جمالية وفنية معبرة وذات خصوصية

يعرض عبدالعزيز الرشيدي أعماله تحت عنوان "درب"، ويضم مجموعة متنوعة من التشكيلات الخطية التي أنجزها أخيراً. ويعيش الرشيدي ويعمل في المدينة المنورة، ونادراً ما يتركها، فهي تعيش فيه بقدر ما يعيش فيها، وهو يجد السلام بداخله في زاويته المنعزلة، ويتحدث على نحو خاص مع الخط بإصرار، محاولاً الانتقال به إلى أبعاد جديدة والتقدم نحو مسارات لم يسبقه إليها أحد

تلقى الرشيدي تعليمه على أيدي معلمين عظماء من بينهم عادل بري وأحمد ضياء. كما التقى معلمين آخرين خلال تلك الفترة، من بينهم شفيق زمان ومحمد بشير وعبدالعزيز مصطفى نجاة الدين. وفي قسم الفنون بجامعة الملك عبدالعزيز في المدينة المنورة، درس الرشيدي فن الزخرفة الإسلامية بالخط الكوفي على يد مصطفى عبدالرحيم، حتى استقر في البحر الواسع لحسن المسعودي

The Saudi Art Council launched on Wednesday launched its eighth iteration of the 21,39 Jeddah Arts exhibition, titled The Secrets of Alidades. Curated by French academic Fabien Danesi, the event is showing the works of 35 artists and celebrates the theme of the universe by taking visitors on an interstellar journey. It had initially been set to open to the public in March, but was delayed owing to the pandemic.

Saudi artist and explorer Moath Alofi says his work is an extended message from the past to explore the beauty and treasures of the kingdom.

Basmah Felemban, also from Saudi Arabia, created a sonic getaway with an interactive video game installation titled The Jirri Tribe Stop (2021). It took her two years to develop the game centred on the main characters, which are catfish that try to maintain the sea's balance.

Moving away from his familiar calligraphy this year, Nasser Al Salem, from Jeddah, created his first sculpture, The First Space Shuttle, 2019-201, inspired by nomads who used tents as their habitat, but borrowing from the SpaceX Crew Dragon capsule design. “This idea of mobility creates a link between nomadic Bedouins and astronauts in their use of space and their engagement with nature,” Al Salem says.

The Ministry of Culture organizes an exhibition showcasing the history of Arabic calligraphy under the title "Scripts and Calligraphy: A Timeless Journey," scheduled to be held from June 16 to Aug. 21, 2021 at the National Museum, Riyadh.

The exhibition highlights the stages of the Arabic Script’s development since its very beginnings and the artistic relationship between calligraphy, contemporary art, and artificial intelligence through an exceptional journey of knowledge, featuring Saudi and international master calligraphers, contemporary artists, and designers.

The sections and contents of the “Scripts and Calligraphy: A Timeless Journey” exhibition are divided into five stages, namely, the origins of the Arabic script, the development of calligraphy, master calligraphers, calligraphy and contemporary art as well as calligraphy and artificial intelligence.

This section features works by a number of Arab designers from different majors and nationalities, namely: Ebtissam AlGosaibi, Hussein Alazaat, Hamza Al Omari, Khalid Mezaina, Rasha Dakkak, Ranim Al Halaky, Xeina AlMalki, Farah Behbehani, Margherita Abi Hanna, Milia Maroun, Mohammed Khoja, May Aboulfaraj, Nasser Al-Salem, Nadine Kanso, and Noor Saab.

The exhibition is the first of its kind combining classic Arabic calligraphy with artificial intelligence. In this path, artist Michel Paysant presents a new version of his device entitled "Eye Calligraphy Studio — A Constellation of Letters", which is one of the devices capable of exploring the roots of calligraphy and its deep mechanisms.

As the world slowly begins to emerge from the global COVID-19 pandemic, the kingdom of Saudi Arabia seeks to reengage its population with cultural activities. Noor Riyadh - which translates from Arabic to "Light of Riyadh" - is a citywide light and art festival illuminating the Saudi capital of Riyadh for the next three months.

Due to the global pandemic, 2020 was hardly characterized by cultural events or communal gatherings. But globally, society has gradually begun to emerge from a state of self-preservation, lockdowns and solitude, and begun a return to normalcy. As the Saudi public re-integrates into post-pandemic society, the Noor Riyadh festival aims to transform urban spaces into art that immerses and engages the community.

The second half of the festival, which takes the theme "Light Upon Light," is a retrospective exhibition tracking light art from the 1960s to the present. It runs until June 12 in the King Abdullah Financial District Conference Center.

Saudis are eager to leave the challenges of 2020 behind and look to a "brighter future," according to Director of Riyadh Art Khaled Al-Hazani. The festival, "a celebration of light and art on an unparalleled scale," has already proven popular with Saudis, who have flocked to see the exhibitions on display. Lulwah Al Homoud, one of the Saudi artists exhibiting her work, considers the inaugural festival as the beginning of a "golden age of Saudi art," she says.

The artworks, which encompass a range of media, including music, sculpture and performance, can be found in two main areas: The King Abdul Aziz Historical Center and the King Abdullah Financial District, where visitors can also view “Light Upon Light,” an exhibition of light art from the 1960s to the present, which is on view until June 12.
While the global art community will have to view the artworks virtually, Saudis have already been flocking to the venues in record numbers.
“One of the most critical aspects of Vision 2030 is the flourishing of the Saudi creative economy, which we are trying to foster, and this is one of the main highlights of Noor Riyadh as a program,” Anas Najmi, adviser to the Royal Commission for Riyadh City, told Arab News. “Despite all of the challenges of the pandemic, we managed to give the experience to 15,000 visitors in just one day. Secondly, over 1,200 jobs were created as part of the Noor Riyadh festival, half of which are for Saudis.”

RIYADH — The “Light Upon Light” Exhibition, which is being held at the King Abdullah Financial District as part of the first edition of Noor Riyadh, is the largest group art exhibition that monitors the artistic movement in the lighting arts since 1960s until todate.

It includes 30 masterworks of light art divided into four sectional “rays” that survey light as an artistic medium: “Perceiving Light,” “Experiencing Light,” “Projecting Light,” and “Environmental Light.” Each ray blends time and unites established artists of diverse geographic origin.

From immersive installation to video and sculpture, visitors to “Light Upon Light” will experience a richly illuminated exhibition in all its spatial and sensory phenomena. This historical presentation of light art is a groundbreaking event for culture in Saudi Arabia. Noor Riyadh, one of the world’s most exciting festivals of light and art combining the highest quality of light artworks across the city, began on March 18 and will run through until April 3. Filled with spectacular installations, the fest will light up the night sky of the capital city of Riyadh.

The “Projecting Light,” pavilion presents artworks that use the transmission of light to create the work instead of focusing on light as a medium. In 2019, Saudi artist Sultan Bin Fahd worked on the art piece titled “Once he was a ruler”, which is a collection of photographs, in which ancient sculptures depicting the kings of the ancient Lihyan Kingdom in Northern Arabia are shown, where he modified them by placing layers of X-ray images, and these images were collected, superimposed in illuminated light boxes at the event.

Through his abstract drawings, paintings, sculptures and installations, the artist tackled cultural issues related to his homeland in the Kingdom. The artist also re-narrates historical stories and novels using art, and transmits these narratives through contemporary means to reconstruct them with a personal character.

While Saudi artist Dana Awartani is participating in the event with her work “Divan Al Majhoul 2021, which combined textiles, hand embroidery and poetry.

دبي، الإمارات العربية المتحدة (CNN) -- شهدت المملكة العربية السعودية، مساء الخميس، Ø§Ù†Ø·Ù„اق Ø§Ø­ØªÙØ§Ù„ية "نور الرياض" ÙˆØ§Ù„تي تضمنت عرض Ø£Ø¹Ù…ال فنية تفاعلية تعتمد على الإضاءة في مواقع متعددة بأنحاء مدينة الرياض

وتضمنت الاحتفالية Ù…شاركة 60 من كبار الفنانين في مجال فنون الإضاءة، ينتمون لأكثر من 20 دولة حول العالم، منهم 23 من الفنانين السعوديين، وفقاً لوكالة الأنباء السعودية "واس"

وتشتمل احتفالية "نور الرياض" على 60 عملاً فنياً، تضم جميع أشكال فنون الضوء، من بينها أعمال تاريخية وهندسية وضوئية، ومنحوتات، وعروض للإضاءة، وعروض تفاعلية، وقطع حركية، وتركيبات وأعمال خارجية، ومجموعة من أشكال الفن الخفيف، يتاح لسكان وزوار مدينة الرياض الاستمتاع بها عن قرب في مختلف أرجاء المدينة، مع تخصيص مركزين رئيسين للاحتفالية في كلٍ من مركز الملك عبدالله المالي ومركز الملك عبدالعزيز التاريخي بالمربع

RIYADH: A Saudi art gallery has launched an initiative to provide financial grants to help support the work of artists in the Kingdom during the coronavirus disease (COVID-19) pandemic.

Athr Gallery in Jeddah recently announced its Maan (Arabic for together) project in a bid to cushion the impact of the virus outbreak on the local art scene. As part of its mission to keep the arts sustained and accessible to a wider audience, Athr has collaborated with seven artists, whose limited-edition works will be sold to fund the grants.

The artists contributing their pieces are Ahmed Mater, Ayman Yossri Daydban, Dana Awartani, Manal Al-Dowayan, Muhannad Shono, Nasser Al-Salem, and Sultan bin Fahad.

Much of the work is exuberant and visually spectacular, from a giant swing set by the Danish collective Superflex (which first appeared in Tate Modern in 2017) to a 25ft-tall silver fuselage-type installation by American artist Gisela Colon that calls to mind a sex object outlawed in the kingdom.

Saudi artist and storyteller Muhannad Shono showed his The Lost Path installation, which binds together 65,000 black plastic pipes to wind hundreds of feet through the dunes and cliffs. The work, he says, is meant to invoke a treasure map as well as a reminder of the oil that the tubes once contained and the far-reaching effects of that modern-day treasure.