By Caroline Roux for Financial Times / December 6, 2013
Interviews with artists shortlisted for the V&A's Jameel Prize 2013
While Zoghbi’s stay in Holland clearly informed his work, travel has also altered the vision of Nasser al-Salem. A Saudi who lives in Jeddah, he was tutored for 13 years in the classical strictures of pure calligraphy by a master in Mecca. Then, in 2009, al-Salem attended the Abu Dhabi Art Fair. “I was shocked, amazed,” he says. “I realised there was freedom, there were concepts to be explored rather than just systems to be learnt.” Now his work is a radical reinvention of what calligraphy can do, both literally and conceptually. One piece at the V&A shows a line travelling across graph paper; it suggests both the tracing of a heart monitor, and a believer’s prayer: in the spirit of the prize, a display of cross-pollination and successful porosity between different worlds and positions.